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Site map
Every page published on paperkeepsakeapp.com, plus the main sections of the home page, with a line on what each one covers.
Pages
- HomeThe product in full: the workflow, the features, pricing and the enquiry form.
- AuthorJimenez Julien, why he built PaperKeepsake and how the product is maintained.
- Legal noticePublisher identity, company numbers, hosting and applicable law.
- Privacy policyWhat the enquiry form collects, how long it is kept and how to have it deleted.
- Terms of serviceSubscription, billing, cancellation and data ownership terms.
- Site mapThis page, listing every destination on the site.
- Enquiry receivedConfirmation shown after the form is sent, with reply expectations.
Home page sections
- The pileWhere hours and dollars disappear on a client archive project.
- How it worksIntake, scanning batches, tagging and publishing the family index.
- Who it fitsIndependent organizers, studios with scanning help, estate work.
- FeaturesContainers, batches, person records, dating, index and profitability.
- OutcomesMeasured results reported after two completed projects.
- Organizer resultsThree named organizers and the metrics behind the practice.
- Archival standardsThe metadata and export formats the catalog is written in.
- PricingSolo Organizer, Studio and Team plans, billed monthly in US dollars.
- FAQPricing, onboarding, storage, scanners, cancellation and client access.
- Book a walkthroughThe enquiry form and the direct email alternative.
The Archive Table
- The Archive TableThe magazine index, with all nine articles for photo organizers and memory keeping studios.
- How do I price a shoebox scanning project when I have no idea how many photos are inside?Two stage quoting, paid assessments and rates that survive an unknown photo count.
- What resolution should I actually scan family prints and slides at for a client archive?How dpi relates to original size, and what prints, slides and negatives each need.
- Flatbed, photo feeder or camera copy stand: which capture setup fits my studio workload?Flatbed, photo feeder and camera copy stand compared on speed, quality and risk.
- What does a photo organizing contract need to say about loss, damage and the client's originals?Bailment, limits of liability, chain of custody and insurance for client originals.
- Who owns the copyright when I scan a client's old studio portraits and wedding photos?Who holds copyright in studio portraits, and which requests you should decline.
- How should I name files and tag people so a family can still search the archive in twenty years?Filenames, IPTC and EXIF fields, uncertain dates and person tagging that survives export.
- Why do my clients keep stalling at the sorting stage, and how do I move the project forward?Three stalled family archive projects and the changes that moved them forward.
- What actually happens to prints, slides and VHS tapes stored in a hot garage for thirty years?Failure modes of prints, slide film, magnetic tape and adhesive albums after hot storage.
- Is bulk scanning still worth building my studio around, or should I sell organizing instead?Where the durable margin sits as commodity scanning prices fall, and what to sell instead.